Fairy Fencer F Review
Synergy doesn’t always materialize when prodigious talent comes together. From Chickfoot’s underwhelming union of Sammy Haggar, Joe Satriani, with Red Hot Chili Pepper and Van Halen alumni to Ocean Twelve’s disastrous attempt to recreate the energy of Steven Soderbergh’s first film, history is full of instances where a supergroup’s output is notably weaker than the previous efforts of each individual. So when word emerged that Compile Heart’s Fairy Fencer F was assembling an assortment of luminaries who had worked on everything from Vampire Hunter D, Death Note, as well as the Final Fantasy and Hyperdimension Neptunia series, disappointment was a distinct possibility.
Unlike the aforementioned sonic and cinematic letdowns, Fairy Fencer F is fated to please Japanese role-playing fans, extending both characterization that challenges convention as well as an engaging collection of interconnected game mechanics. While Compile Hearts’ previous games have often favored pandering fan-service over polished components, Fencer reveals the studio finding a blameless balance. For fans fearing the reduction of impish interludes and modestly clothed characters- worry not, the Shibuya-ku developers haven’t lost touch with their core audience.
Pleasingly, Fairy Fencer F’s plotline doesn’t provide the prototypical plunky protagonist, goading gamers into the role of Fang- a lazy and stubborn young man who’s motivated by hunger than helping humanity. An introductory cinematic sequence depicts a confrontation a ‘Vile God’ and a Goddess, with the conflict ending in a stalemate as each deity becomes immobilized by the other’s barrage of swords. While many of the blades bound each spirit, a number of them missed their mark and landed in the human realm.
When Fang discovers one of these swords, called Furies, lodged Excalibur-style, he’s encouraged to free the blade with the purported promise of free food. But once the weapon is removed, he’s greeted by a fairy named Eryn, who not only enlists the indolent character into reclaiming the remaining Furies, but challenges Fang’s apathetic attitude. Fairy Fencer F’s lore unites fencers with a single fairy, providing the basis for plenty of spirited banter and metaphorically speaking of the challenges associated with commitment and monogamy. But before things become a bit more serious (and a bit more cooperative) in the second half of the title, there are plenty of opportunities for good-natured bickering.
Being a Compile Heart game there’s a number of instances of light lasciviousness, but overall Fairy Fencer F feels bit less placating than say, Mugen Souls. Instead, enjoyment stems from the developer’s comical interpretation of the reluctant hero and their willingness to introduce a largely disagreeable cast. Expectantly, motivations shift, a tsundere lessens her iciness, and at least one remarkably poignant plot point happens before the final credits roll, conferring a number of gratifying character arcs. Plus, it’s hard to have an aversion to a character that can equipped with a piece of burnt toast in his mouth. Another positive element to the game approach can be found in the succinctness of dialog. Seldom does Fairy Fencer F dawdle at the precipice of pontification; quite often sub-events are over in less than a minute.
With Fairy Fencer F’s puckish dialog recalling some of Compile’s other efforts, it’s not surprising to find that combat draws on Hyperdimension Neptunia’s fundamentals. Seizing initiate with the foes that skulk through each dungeon stage is accomplished with a well-timed button press. However, flub the opportunity and you’ll transfer the advantage to your opponent. While Fencer’s encounters are turn-based, they nearly feel like an action title, with party members quickly determining position in a large circle before using commands to execute combos, utilize consumables, or initiate supers that produce fluid, anime-style cutscenes.
Mirroring Neptunia’s HDD transformations, Fencers can bond with their weapons once a tension gauge has reached a preset threshold. Known as the “Fairize” ability, the mode kicks off with a seppuku-like sequence, where fencer’s impale themselves with their weapon, before transforming into a new, more formidable form. Once commenced, attacks dispense an increased amount of damage, while special commands have the possibility of obliterating opponents, if players are willing to gamble a decisive amount of their special points and health. In execution, Fairizing mollified most of the frustration common to boss encounters, although Fencer still exhibits the sporadic difficulty spike. Those opposed to grinding will appreciate the general level of difficulty while those indoctrinated to power-leveling might find Fairy Fencer F’s twenty-five hour campaign a bit too easy.
When parties aren’t combing dungeons or battling the game’s bestiary of baddies, there’s plenty of opportunities for improvement. While Fairy Fencer F eschews urban exploration in favor of menu-driven interaction with townsfolk, the design decision mirrors the efforts to quicken combat, allowing the game to feel quite brisk. From pursuing undertakings offered by the local barkeep to pouring weapon points in depositories that issue new combat abilities, specials, as well as bolster your basic stats, Fencer gives players a large amount of flexibility.
Beyond fundamental augmentation, the plot also hinges around the collection of Furies. Periodically, new areas are opened, allowing parties to challenge antagonists for rights to the relic. Once uprooted, the spirit fairy inside can be used to remove one of the swords which restrains the Vile God and Goddess resulting in yet another skirmish. But the possible benefit here is large- with players able to earn perks or place stat-altering fairies at dungeon entrances, potentially adjusting the stage’s risk/reward ratio.
Aesthetically, Fairy Fencer F reveals Compile Heart’s distinctive dissonance between dimensions. Tsunako’s (Trinity Universe, Hyperdimension Neptunia series) character portraits are astounding, both sumptuous drawn and eerily lifelike as they express emotions and breath naturally. But when the designs are translated into 3D, Fencer shows it seems. Save for victory poses and special cinematics, the models lack a bit of detail. What’s more the framerate when prowling through dungeons can loiter in the mid-twenties, recalling Neptunia’s visual drawback.
Sonically, Nobuo Uematsu’s compositions are nothing short of splendid, offering a multiplicity of motifs that draw from global influences. Just as proficient is the game’s henshin anthem, which blares energetically when players adopt the Fairize form. Like most NIS America releases, voice overs are presented in dual audio, with the English cast doing a surprisingly adept job at nailing the nuances of delivery.
While Fairy Fencer F isn’t going to be remembered as Compile Heart’s crossover title, JRPG aficionados are certain to appreciate the game’s subtle improvements. Elevated by enjoyable characterization, battle mechanics that resist monotony, and a pleasing amount of flexibility in the way that players can augment their adventurers, Fencer should please the developers’ fanbase. If this success was spurred by the title’s roster of notable talent, let’s hope that the parties stay on board for the just announced sequel, Advent Dark Force.
Fairy Fencer F was played on the PlayStation 3 with review code provided by the publisher.
Platform: PlayStation 3
Developer: Compile Heart
Publisher: NIS America
Release date: September 16th (US)
Price: $49.99 retail or via PSN
Language(s): Japanese or English voice, English Text
ESRB: Teen
Review Overview
Gameplay - 85%
Story - 80%
Aesthetics - 80%
Content - 75%
Accessibility - 80%
80%
Good
Fairy Fencer F proves that a grouping of talented game developers doesn’t have to result in an ego-driven vanity project. Instead, the title subtly improves of Compile Heart formula, offering a largely enjoyable and light-hearted role-playing endeavor.
Gottdamm, there’s a lot of girls with wings on the site. They’re taking over.
You’re new here, right?
No NIS game has ever gotten below at 80 from TG it seems. It’s impossible. Like eating a spoon of cinnamon without water.
Good review. I read one that made me scratch my head a few times and another went kind of SJW on the game.
That’s an awesome screen name, TP!
Good review too Robert. Going to finish up reading on my way home.
I was waiting for a review from you, DEagle. You need to get these outside early so I can decide whether or not to get the LE. Now NIS is all sold out.
Most of the reviews say that Fang is a real unlikable d-bag. How did you manage to put up with him?
Girls with garters and guns. Mmmm.
Don’t ever change Japan.
I’m OK with this as well. Pretty hot.
Someone please explain the relationship between Idea Factory and Compile Heart. Does one own the other?
Compile Heart is part of Idea Factory.
“which restrains the Vile God and Goddesses”
Shouldn’t it just be a single goddess?
Off topic but I have one question. How have you eluded all the #GamerGate controversy so far. I know you guys are Kotaku big, but I see a lot of comments here.
You didn’t hear about #PrinnyGate.
My guess is that TG doesn’t really cover news or controversies. They only real questionable thing is RPG scores being a little high. But most people here some OK with that.
77 on Metacritic, so a 80 doesn’t seem wild. Now Digitally Downloaded’s 90 is a little suspect.
Beyond writing like “There are of course moments of fanservice that serves no other purpose than fanservice, because this is a Compile Heart game and the developer knows what the fans expect from it.”
Maybe because it doesn’t seem like Robert is covering anything up. It’s just reviews without a social agenda.
Oops, meant not Kotaku big. Not yet at least.
If there’s a #Loligate, Robert will be the first one indited.
Great review. I’d score it about the same.
Some cute lolis in FFF. I might have to buy it.
No interest in playing a fairie game.
That’s your best homophobic slur? It’s not original or funny, just kind of sad.
Seriously, that’s weak, trotz. Grow up.
Excellent review. I really enjoyed reading that.